275. Stanislav Zhukovsky. Night landscape. Starry sky.
ID-ANTQ-7818
Live Fine and Applied Art Auction № 7
Auction begins: 06 May 2023 12:00
Estimate: 15000-20000 EUR
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Stanislav Yulievich Zhukovsky. Night landscape. Starry sky. Apparently, it represents a philosophical panorama of reflections on God, with the opposition of the starry sky embracing eternity and the vanity of life dear to the heart on Easter night. The sharpness of the drama is given by the absence of crosses on the temple, a deadly and tragic trace of the first years of Soviet power. The cold swell of the boundless skies, the planetary bending of the earth are opposite to the truthful, situational warmth of the lights of human presence. Its earthly warmth at the temple, the solemn and cozy light inside it, the light of the windows nearby are a sign of human attachment to life and hope. After all, it`s Easter. Although the painting is signed in Latin, it was probably completed in the early 1920s, before the artist left for Poland, or based on Vyatka memoirs already in exile. Author`s signature in the lower right corner. Oil on canvas, 71x96 cm. Provenas and evaluation: MacDougalls auction house of the early 21st century.
Condition: Good, with traces of use
Style: Impressionism
Country: Russia
Period: At the turn of 19th -20th century
Warranty: Seller Warranty
Material: Canvas, oil
Product sizes: Height - 97cm width - 123cm
Location: Gallery "Antiqon", Brivibas street 52, Riga, Latvia
Item description is approximate automatic translation . Antiqon.com is not responsible for translation errors. Show original text.
Станислав Юльевич Жуковский. Ночной пейзаж. Звездное небо. По-видимому, представляет философскую панораму-размышления о Боге, с противопоставленностью обнимающей вечности звездного неба и милого сердцу суеты жизни в ночь на Пасху. Остроту драмы, придает отсутствие крестов на храме, смертельно опасный и трагический след первых лет советской власти. Холодная зыбь бескрайних небес, планетарный изгиб земли противоположны правдивому, ситуационному теплу огней людского присутствия. Его земная теплота у храма, торжественный и уютный свет внутри него, свет окон поблизости – знак человеческой привязанности к жизни и надежды. Ведь, все-таки Пасха. Хоть картина подписана латиницей, но вероятно закончена в начале 1920-х годов, до отъезда художника в Польшу или по мотивам Вятских воспоминаний уже в эмиграции. Авторская подпись в правом нижнем углу. Холст, масло, 71х96 см. Провенас и оценка: аукционного дома MacDougalls начала 21 века.
machine translation
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