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87
ICON “KURSK-KORENNAYA MOTHER OF GOD OF THE SIGN” RUSSIA, VOLOGDA, 1802
An outstanding monument of Russian Northern icon painting at the turn of the 18th and 19th centuries, uniting the traditions of the Vologda school with a high level of silver craftsmanship. The icon represents the Most Holy Mother of God of the Orans type – “The Sign”, with the Christ Child depicted in a medallion upon Her breast. The central image is framed within a painted border and surrounded by figures of the Lord Sabaoth and Old Testament prophets holding unfolded scrolls foretelling the Incarnation.Of particular artistic significance is the repoussé silver oklad executed by the silversmith Andrian Ioakimov Klishin in 1802. The composition of the oklad is constructed in strict symmetry characteristic of early Classicism, while preserving the ornamental richness of the Baroque tradition. The vegetal ornament, garlands, cartouches and the radiant halo of the Mother of God are rendered in deep repoussé with refined detailing. Gilded elements emphasize the sacred center of the composition.The icon combines spiritual expressiveness in painting with the virtuosity of Northern Russian silver artistry, demonstrating the high artistic culture of Vologda in the early 19th century.Hallmarks: Maker’s mark “АК” in Cyrillic within a square cartouche – Andrian Ioakimov Klishin; Assay mark of the city of Vologda with the initials “ГШ” – assay master Grigory Shishkin, beneath the date “1802”; Corresponding to Postnikova-Loseva hallmark catalogue No. 310 and No. 324.Dimensions: Height – 41.5 cm; Width – 35 cm.Condition: Good. Minor traces of age on the painted surface and silver oklad. The composition is fully preserved without loss of principal elements.Provenance: Private collection.
Begins 02.05.2026
Antique Russian box Breaking for Dmitry Pozarsky”
Begins 02.05.2026 12:00:00
Author`s ceramic vase Dancing on the shore. Kalapyshina. 2019 year.
Begins 02.05.2026 12:00:00
Kuznetsov`s tea porcelain service. Riga, mid-19th century.
Begins 02.05.2026 12:00:00
San Galli safe. Russia 19th century.
Begins 02.05.2026 12:00:00
POSTER FOR THE CABARET “LA LUNE ROUSSE”. CHARLES LÉANDRE (1862 - 1934) FRANCE, PARIS, 1904
Begins 03.05.2026 10:00:00
PAIR OF DUELLING PISTOLS BY JACQUES BERTRAND RUSSIA, ST PETERSBURG, MID-19th CENTURY
Begins 02.05.2026 12:00:00
PUSS IN BOOTS. SILVER FIGURE WITH MOVABLE HEAD, GÜNTHER GRANGESSEL GERMANY, HANAU, 1883
Begins 03.05.2026 10:00:00
SILVER CLOISONNÉ-ENAMELLED TEA GLASS HOLDER. FYODOR RUCKERT RUSSIA, MOSCOW, TURN OF THE 19TH – 20TH CENTURY
Begins 02.05.2026 12:00:00
Decorative fruit vase, gilded bronze, with crystal, Napoleon III era. 19th century.
Begins 03.05.2026 10:00:00
LARGE VASE WITH BRONZE MOUNTS AND PAINTED DECORATION “THE TRIUMPH OF VENUS” FRANCE, SECOND HALF OF THE 19TH CENTURY
A monumental vase combining gilt bronze and painted porcelain, representing a striking example of French decorative art of the Second Empire and the Historicist period. The oval bowl with a rich emerald-green ground is adorned with a central painted composition depicting the allegorical scene “The Triumph of Venus”, executed in the spirit of 18th century academic mythological painting. On the reverse appears an exquisite floral bouquet rendered with refined naturalism and delicate chromatic nuances.The porcelain body is mounted within an elaborate architectural framework of finely chased gilt bronze with openwork Rocaille ornamentation. The handles curve in dynamic vegetal scrolls with mascarons and ornamental cartouches. The upper rim forms an airy gallery of scrolling foliage and stylised acanthus leaves. The base is conceived as a ceremonial pedestal with a baluster stem and a four-sided support, richly decorated with relief elements and symmetrical scrollwork.The artistic conception unites elements of Neo-Rococo and Neo-Baroque, characteristic of Parisian bronze workshops of the second half of the 19th century. Stylistic features and the quality of porcelain painting suggest a connection with the traditions of the Sèvres manufactory, renowned for producing grand decorative vases and mantel ornaments for aristocratic residences.Dimensions: height 38 cm; width 54 cm; depth 32 cm.Condition: Good. Gilding even and well preserved. Minor wear to the base. No deformations, cracks, restorations or traces of active use.
Begins 03.05.2026
Gouache. Riga. V.D. Medvedev.
Begins 02.05.2026 12:00:00
Louis XVI style writing desk
Begins 03.05.2026 10:00:00
Antique Display table
Begins 03.05.2026 10:00:00
Russian paper knife Voevoda. P.I.SOMOV 1918. Russian Modern.
Begins 02.05.2026 12:00:00
RUSSIAN ART NOUVEAU KOVSH WITH CLOISONNÉ ENAMELS. FYODOR RUCKERT RUSSIA, MOSCOW, 1908–1917
Begins 02.05.2026 12:00:00
Ladies cabinet Bonheur du jour
Begins 03.05.2026 10:00:00
Luxurious 19th century wooden frame in Napoleon III style.
2700 EUR
ICON OF THE MOTHER OF GOD OF UMILENIE RUSSIA, MOSCOW, 16TH–17TH CENTURY
A rare icon of the Mother of God of Umilenie, created within the Moscow icon-painting tradition of the 16th–17th century. Executed in tempera on a wooden panel, the image displays refined modelling of the faces, a noble ochre palette and delicate linear highlights characteristic of the period. The composition follows the Byzantine Eleousa type, in which the tender touching of the cheeks of the Virgin and the Christ Child conveys profound spiritual compassion and intercession.The icon is set in an authentic 17th-century Moscow oklad of exceptional craftsmanship. Produced in court and monastic workshops, it displays a sophisticated combination of cloisonné and champlevé enamels, mother-of-pearl inlays, coloured glass and applied relief elements. The rich vegetal ornament, executed with remarkable rhythm and precision, reflects the aesthetic principles of Moscow decorative art of the 17th century. The reverse retains an early silk cloth with a floral pattern, a testament to centuries of careful veneration.Dimensions: 31 × 27 cm.Condition: The icon is in good collector’s condition consistent with its age. The painted surface is well preserved with minor craquelure and slight pigment losses. The oklad shows natural age traces.Provenance: Private collection of Alfred Schønebeck (1885–1931), representative of the Great Northern Telegraph Company in Russia. Acquired by Alfred and Gerda Schønebeck in Moscow in the 1920s. Exported to Denmark in 1929 and preserved in the family collection ever since.
Begins 02.05.2026
Pair of Empire candlesticks from the 1900s.
Begins 03.05.2026 10:00:00
Bronze floor lamp with the figure of Putti. France. 19th century.
Begins 03.05.2026 10:00:00
Porcelain pedestal
Begins 03.05.2026 10:00:00
Corkscrew "Four Finger Pull"
100 EUR
Rococo showcase. Gallant age.
Begins 03.05.2026 10:00:00
Russian, silver cloisonné enamel mug in neo-Russian style. 20th century.
Begins 02.05.2026 12:00:00
Ashtray Monkey. Kuznetsov factory. 19th century.
Begins 02.05.2026 12:00:00
PORCELAIN EASTER EGG WITH HAND-PAINTED BLOSSOMING APPLE ORCHARD RUSSIA, LATE 19TH CENTURY (C. 1890–1900)
Begins 02.05.2026 12:00:00
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SILVER TABLE SERVICE BY G. KLINGERT RUSSIA, MOSCOW, 1908–1917
Begins 02.05.2026 12:00:00
Glazed ceramic pedestal
Begins 03.05.2026 10:00:00
Painting Neopolitan.
420 EUR
God of war
640 EUR
PAIR OF CANDELABRA WITH FIGURES OF CUPIDS FRANCE, SECOND HALF OF THE 19TH CENTURY
Begins 03.05.2026 10:00:00
Hunting in hills
4670 EUR
Ceramic plate
830 EUR
Wine cooler
Begins 03.05.2026 10:00:00
Liqueur Bar (Cave à liqueur)
Begins 03.05.2026 10:00:00
Stone-cut miniature Orangutan in Faberge style
Begins 02.05.2026 12:00:00
Engraving
Begins 03.05.2026 10:00:00
BISCUIT PORCELAIN BUST OF A YOUNG GIRL CHARLES LEVY & CO, FRANCE, CIRCA 1876-1881
Begins 03.05.2026 10:00:00
Walking cane with a silver handle.
Begins 02.05.2026 12:00:00
Lornet
180 EUR
Pair of gilded bronze candelabra. 19th century
Begins 03.05.2026 10:00:00
Picture frame
80 EUR
Girl with a lute. 19th century.
Begins 03.05.2026 10:00:00
Telescope W & J. George Ltd, London
Begins 03.05.2026 10:00:00
Box for jewelry
Begins 03.05.2026 10:00:00
Janis Pauluks. Lielupe. 1953
Begins 03.05.2026 10:00:00
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