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LARGE PORCELAIN VASE “THE BIRTH OF VENUS” FRANCE, MANUFACTURE NATIONALE DE SÈVRES, SECOND HALF OF THE 19TH CENTURY

LARGE PORCELAIN VASE “THE BIRTH OF VENUS” FRANCE, MANUFACTURE NATIONALE DE SÈVRES, SECOND HALF OF THE 19TH CENTURY

A large ceremonial porcelain vase of amphora form, produced at the renowned Manufacture nationale de Sèvres. The shape is inspired by Renaissance prototypes, with carefully balanced proportions, a high neck, and a stable circular foot. The body is covered with a rich turquoise-blue glaze serving as a ground for refined polychrome painting and lavish gilt ornamentation, characteristic of the highest artistic production of Sèvres in the 19th century.The front is adorned with a large oval medallion depicting the mythological scene The Birth of Venus. The goddess is shown at the moment of her triumphant emergence from the sea in a shell, with a flowing red drapery, surrounded by putti and music-making nymphs. The movement of the waves, the play of wind, and the dynamic arrangement of figures emphasize the allegorical nature of the scene, symbolizing the triumphant power of love, harmony of nature, and ideal beauty. The composition draws upon Renaissance and academic traditions widely embraced by French art of the period.The reverse features a richly painted still life with an opulent bouquet of flowers, pears, and plums. This imagery, traditionally associated with abundance and fertility, forms a meaningful dialogue with the mythological subject on the front. The painting is framed by a gilt cartouche with a pearl border. The body is further enriched with elaborate gilt vegetal and classical ornamentation executed with exceptional precision.Marks:Hand-painted underglaze cobalt mark of the Manufacture nationale de Sèvres, featuring a working monogram and the letter “P”. Such letter marks formed part of the internal attribution system used by the artistic workshops and painting ateliers of the manufactory in the second half of the 19th century and are characteristic of ceremonial vases with painted medallions.Dimensions: Height: 42 cm; Width: 25 cm; Depth: 25 cm.Condition: Good. Even glaze, no cracks or chips. Minor signs of age and light wear to the gilding on raised areas. The painted decoration is well preserved, with no evidence of restoration.Provenance: Private European collection.

Wooden console with carved cupids.

Wooden console with carved cupids.

Engraving Siege of Ochakov 1788.

Engraving Siege of Ochakov 1788.

Twin candelabra Samurai

Twin candelabra Samurai

Still life with flowers. jacquelet, spraying - reproduction.

Still life with flowers. jacquelet, spraying - reproduction.

Bronze jardiniere with glass. 19-20 century.

Bronze jardiniere with glass. 19-20 century.

Miniature ladies` mirror with guilloche enamel in blue and white flowers. 20th century.

Miniature ladies` mirror with guilloche enamel in blue and white flowers. 20th century.

Picture frame

Gold ring with tanzanite and diamonds.

Gold ring with tanzanite and diamonds.

CHANEL J12 Classic Unisex Watch H1174.

CHANEL J12 Classic Unisex Watch H1174.

Oval coffee table in Louis XVI style, model Adam Weisweiler. France 19th century

Oval coffee table in Louis XVI style, model Adam Weisweiler. France 19th century

Oval coffee table in mahogany and gilded bronze in the Louis XVI style. Late nineteenth century based on the model of Adam Weisweiler. The table top has a shape close to an oval with four semicircular protrusions, to which figured elegant table legs with gilded mascarons are attached in the lower part. Bronze overlays and linear edging of the edge of the lid and its wooden sides (table waist) are made with high quality casting, embossing and gilding. The table top is decorated over the entire surface with a geometric marquetry pattern, which contrasts beautifully with the gilded edging of the table. The decor uses motifs traditional for the era of classicism, made in the antique spirit - ribbon and floral patterns, flower heads, cornucopia, figurines of lying rams, maiden heads. The table legs are completed at the bottom with bronze shoe-shaped plates with a relief foliage pattern. In the front part of the table (at the waist) there is a drawer lid. It, due to the decor, similar to the decor repeating the gilded bronze decor of other sides of the table waist, is carefully hidden. Material: wood, mahogany veneer, carving, polishing, bronze, casting, embossing, Dimensions: 99 x 64 x 72 cm.

White gold bracelet with diamond flower links.

White gold bracelet with diamond flower links.

Opera glasses.

Porcelain slab Love Game, KPM Berlin, circa 1830

Porcelain slab Love Game, KPM Berlin, circa 1830

Decorative fruit vase, gilded bronze, with crystal, Napoleon III era. 19th century.

Decorative fruit vase, gilded bronze, with crystal, Napoleon III era. 19th century.

Ring in white gold 750 with diamonds.

Ring in white gold 750 with diamonds.

Girl drinking water, Rosenthal

Girl drinking water, Rosenthal

Babylonian Talmud, sections Tractate Yevamot and Giphot Alfas. Russia 19th century.

Babylonian Talmud, sections Tractate Yevamot and Giphot Alfas. Russia 19th century.

DESK JEWELRY CASKET WITH SÈVRES PORCELAIN PLAQUES FRANCE, FIRST HALF OF THE 19TH CENTURY, CIRCA 1830

DESK JEWELRY CASKET WITH SÈVRES PORCELAIN PLAQUES FRANCE, FIRST HALF OF THE 19TH CENTURY, CIRCA 1830

An impressive desk jewelry casket executed in the opulent palatial manner of French decorative art of the Restoration period. The complex curvilinear body is crafted from finely selected rosewood, veneered in a striking diagonal pattern that enhances the sculptural volume and highlights the richness of the wood grain. The structure rests on four substantial sculptural feet in gilt bronze, modeled with pronounced Baroque scrolls and acanthus leaves.The surfaces are lavishly enriched with finely cast and chased gilt bronze mounts of high quality. Central to the decorative program are porcelain plaques from the Manufacture nationale de Sèvres, set within ornate gilt bronze frames. The polychrome paintings, executed on a blue ground, are devoted to themes of amorous lyricism: lush floral bouquets and playful putti, evoking the refined gallant imagery of the 18th century reinterpreted through the lens of early 19th-century taste.Particular attention is drawn to the porcelain plaque adorning the lid, featuring an exceptionally delicate floral composition. The painting is signed “BARRE SÈVRES,” allowing attribution to the Sèvres painter Barre, active during the first third of the 19th century. Signed plaques of this kind were reserved for objects of high representational status and were frequently commissioned for prestigious pieces of furniture and decorative works intended for aristocratic interiors.The interior of the casket is designed for the storage of jewelry and precious objects. A hinged front panel provides convenient access while preserving the monumentality and coherence of the exterior form. The casket stands as a refined example of the synthesis of cabinetmaking, gilt bronze work, and porcelain painting characteristic of leading French workshops of the period.Marks: Signed porcelain plaque: “BARRE SÈVRES”.Dimensions: Height 32 cm; width 58 cm; depth 36 cm.Condition: Good. Overall well preserved. Minor signs of age and use. Gilt bronze with even period patina. Porcelain plaques without chips or cracks.Provenance: France. Likely produced for an aristocratic interior or a formal salon in the first half of the 19th century.

Gold ring with diamonds.

Gold ring with diamonds.

Platinum ring with emerald and diamonds.

Platinum ring with emerald and diamonds.

Porcelain pencil holder "Monkey in the shape of Napoleon".

Porcelain pencil holder "Monkey in the shape of Napoleon".

FERNAND RENAULT (1887 - 1939). “THE LOVING COUPLE” FRANCE, 1930S

FERNAND RENAULT (1887 - 1939). “THE LOVING COUPLE” FRANCE, 1930S

Russian silver snuffbox with gold decor. Mid 19th century.

Russian silver snuffbox with gold decor. Mid 19th century.

IVORY MANTEL CLOCK OF THE NAPOLEON III PERIOD FRANCE, PARIS, SECOND HALF OF THE 19TH CENTURY

IVORY MANTEL CLOCK OF THE NAPOLEON III PERIOD FRANCE, PARIS, SECOND HALF OF THE 19TH CENTURY

LOUIS XV STYLE WRITING DESK FRANCE, SECOND HALF OF THE 19TH CENTURY

LOUIS XV STYLE WRITING DESK FRANCE, SECOND HALF OF THE 19TH CENTURY

Table set in the style of Napoleon III.

Table set in the style of Napoleon III.

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