Glezniecība

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Myst-RZ, The tree, signed and numeroted 110, 2024

Myst-RZ, The tree, signed and numeroted 110, 2024

With his series of “American” works, artist Myst-RZ plunges us into a world partly inspired by the works of Edward Hopper and David Hockney.In this series, the works stretch out like long travellings, sometimes depicting hushed, intimate atmospheres populated by solitary souls, sometimes sun-drenched terraces with pools, with Mediterranean accents and clean lines.A certain look at the individual is reflected in these works, where it seems that lonely souls, solitary riders and “every man for himself” rub shoulders without ever really meeting. Myst-RZ reinvents the images of the past using ultra-modern digital tools, taking us on a journey towards a visual culture that aims to be timeless.This series is numbered out of 10, and here we present the first numbers of each print. Beautiful Fine Art print on textured Hahnemühle paper with high-quality inkjet coating.Signed by Myst-RZ and accompanied by a certificate of authenticity issued by the artist.

Koknese

Upmala

Vivarium

Klusā daba ar peli

Klusā daba ar peli

Karaliskās gvardes grenadieri 1824. gadā Trokadero kaujas laikā

Karaliskās gvardes grenadieri 1824. gadā Trokadero kaujas laikā

Vasara

Tukumā

Ziemas vakars

Medības ar piekūnu

Medības ar piekūnu

Aboriginal Painting `Ngutjul` by Pantjiya Nungurrayi (1936-)

Aboriginal Painting `Ngutjul` by Pantjiya Nungurrayi (1936-)

In this extraordinary painting, Pantjiya Nungurrayi celebrates, using a three-colour palette, the sites for which she holds ritual guardianship. In this instance, she portrays Ngutjul, a sacred waterhole where, in the Dreamtime, a group of women established a camp. The canvas, structured with concentric circles, depicts the site as viewed from above. The artwork originates from the Papunya Tula art center and dates back to 2010. A certificate of authenticity will be provided to the buyer.Pantjiya Nungurrayi was born around 1936, in the desert near Haasts Bluff. Her half-brother is Shorty Lungkata, one of the significant artists involved in the creation of the Aboriginal art movement. Pantjiya recalls her nomadic life and receiving food rations from white people travelling through the desert on camels. She married George Tjangala, and in the 1960s, the family moved to Papunya, where the artistic movement would begin in 1971. Her husband likely painted a few canvases from the early 1970s (some uncertainties arise due to name changes and some individuals having multiple names). He continued painting until his death in 1989. During the final months of his life, Pantjiya likely assisted him in the pointillist technique. However, women only had the opportunity to paint from 1994 onwards in a joint project between artists from Haasts Bluff and those from the Western Desert, when they gained access to painting. Two years later, the cooperative finally provided an opportunity for women. Pantjiya waited until 1997 to paint a few small formats, and after several months, she enthusiastically launched herself into the artistic adventure. She would establish herself as one of the significant artists from the Western Desert.

Klusā daba ar ziediem

Klusā daba ar ziediem

Jūras ainava

Rudens ainava

Tukuma apkārtne

Tukuma apkārtne

Ainava ar kokiem

Ainava ar kokiem

Pelēkā diena

Māksliniece Marta Skulme darbnīcā

Māksliniece Marta Skulme darbnīcā

19th Century Large Still Life Oil-on-Canvas Painting Rose Bouquet

19th Century Large Still Life Oil-on-Canvas Painting Rose Bouquet

We present you with this beautiful floral composition from the end of the 19th century, now enclosed in a chic contemporary frame.The measurements of this piece, including the frame are : 91 x 75 cm.

Piejūras šoseja

Piejūras šoseja

Saulains marts

Magones

Lauku sēta

Tērpu skices

Abstraktā kompozīcija

Abstraktā kompozīcija

Maija Muižniece - Mirklis pirms miera

Maija Muižniece - Mirklis pirms miera

Maija Muižniece - Vakars mostas

Maija Muižniece - Vakars mostas

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