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Oil-Painting by Jean Thomas (1923- 2019): `A Religious Life: Tower of Babel`

Oil-Painting by Jean Thomas (1923- 2019): `A Religious Life: Tower of Babel`

Trained at the Academy of Fine Arts in Lyon, Jean Thomas began exhibiting his works as early as 1946. Following in the footsteps of the great painters of modernity, his early paintings echo Thomass biggest influences, namely Fernand Léger and Matisse. Some articles published about him discuss the assertion of a true artistic personality, comparing him to his contemporaries: Bernard Buffet, Aizpiri, Krol, Martinet, Patrix etc. From 1955 onwards, Jean Thomas focused primarily on landscape painting, through a precise study of light and great pictorial mastery. His works bear witness to a trend: the realistic post-war landscapes. As a professional painter, he exhibited his works on numerous occasions, most notably at the Art Gallery of Place Beauvau and at the Tournelle Gallery in Paris. In total, he participated in over a hundred exhibitions in France and abroad.Enclosed in a white frame, this painting was completed by Jean Thomas on the 9th of April 2001. Signed in the bottom right corner.

Ainava

Ainava ar kokiem

Ainava ar kokiem

Līgavas nolaupīšana

Līgavas nolaupīšana

Klusā daba ar ziediem

Klusā daba ar ziediem

Dekoratīvs porcelāna šķīvis

Dekoratīvs porcelāna šķīvis

Porcelāna figūriņa Lāčplēsis

Porcelāna figūriņa Lāčplēsis

Keramikas šķīvis `Tautas dejotājs`

Keramikas šķīvis `Tautas dejotājs`

Porcelāna šķīvis Rozā ziedi

Porcelāna šķīvis Rozā ziedi

Porcelāna figūriņa ķīniešu

Porcelāna figūriņa ķīniešu

Flame Colored Copper Painting by Arthur UNGER. Signed.

Flame Colored Copper Painting by Arthur UNGER. Signed.

Arthur UNGER (1932- )Crafted through the intricate process of flame-painting on copper, this piece showcases an explosion of vibrant colors, from rich copper tones to iridescent pinks and greens. The unique patterns and textures are the result of intense heat transforming the metal, creating a one-of-a-kind work of art that cannot be replicated.This piece is sold without a frame.BiographyArthur Unger was born in 1932 in the city of Hespérange, Luxembourg.After graduting, he follows administration and management courses in Bruxelles, and then settle in Belgian Congo, where he had lived for 5 years, and specially with the tribes Lunda and Baluba. This long African journey is very important for the development of Arthur’s art.In 1963, back to Europe, he settles in Paris. There, he discovers the artistic life of the French Capital and makes his first drawings and gouaches.In 1968, he came back to Luxembourg, and invents a technique of drawing with Inidian Ink, and a painting technique uppon brass, using electrolytic cupper which became his favourite medium (he calls his new technique « pyrochemograms uppon cupper »).In 1970, he meets Michel Tapié ; it is a major event in the artistic life of Arthur. Tapié is very interested in Arthur’s work and writes the forewords of all the exhibitions by Arthur Unger in France and in the world. In 1980, Michel Tapié dedicated a monograph to Arthur Unger at the Galerie Sources in Paris.The personal exhibitions of the works of Arthur Unger mainly take place in France, in Luxembourg, in Germany and in Switzerland (three times at the Basel Art Fair).

Sudraba alus kauss ar atlantu uz vāka un reliģiskām ainām uz ziloņkaula. Lubeka. 17.gs.

Sudraba alus kauss ar atlantu uz vāka un reliģiskām ainām uz ziloņkaula. Lubeka. 17.gs.

Japāņu porcelāna šķīvis ar erotisku ainu.

Japāņu porcelāna šķīvis ar erotisku ainu.

Akvarelis Aplidošanas laiks Krievijas ziemīgās ielās 16. gadsimtā.

Akvarelis Aplidošanas laiks Krievijas ziemīgās ielās 16. gadsimtā.

Korķu viļķis Four Finger Pull

Korķu viļķis Four Finger Pull

Lādīte Napoleona III stilā

Lādīte Napoleona III stilā

Dekoratīva vāze

Dekoratīva vāze

Figūriņa Tauriņš

Figūriņa Tauriņš

Pair of 19th Century Classical-Style Red Vases with Accents in Gilt Bronze

Pair of 19th Century Classical-Style Red Vases with Accents in Gilt Bronze

A large pair of classic vases distinguished by their “oxblood” color: a deep, rich red that lends great presence to this highly decorative pair.These vases are amphora-shaped, with a glossy dark red glaze contrasting with the gilded bronze mounts. The handles and base of each vase are in chased ormolu, with elegant scrolled acanthus leaf decoration for the handles.This pair of large, highly decorative vases will complete a classic ensemble on a chest of drawers or mantelpiece.Sang Boeuf (also spelled “Sanggam” or “Sang Bao”) is a characteristic red hue that was commonly used in 19th-century Chinese ceramics, particularly vases. The name “Sang Boeuf” is derived from the French word for “blood” and refers to the deep, rich color of the glaze. Sang Boeuf color is achieved by using a specific type of iron-rich clay and a high-temperature firing process. The resulting glaze has a deep, lustrous sheen.

Sicendorfas porcelāns. Puķu meitenes porcelāna figūriņa. 20. gadsimts.

Sicendorfas porcelāns. Puķu meitenes porcelāna figūriņa. 20. gadsimts.

Mērces laiva un tās sudraba paplāte Minerva M.Goldsmith: VEYRAT

Mērces laiva un tās sudraba paplāte Minerva M.Goldsmith: VEYRAT

Serviss à liqueur metal doré et opaline bleue porté par un chameau.

Serviss à liqueur metal doré et opaline bleue porté par un chameau.

Krūze.

Maza vāze no Meisenes porcelāna manufaktūras.

Maza vāze no Meisenes porcelāna manufaktūras.

Ilustrētais Francijas koloniju atlants, 1929. gads.

Ilustrētais Francijas koloniju atlants, 1929. gads.

Piespraužami auskari ar safīriem. Türlere, Šveice

Piespraužami auskari ar safīriem. Türlere, Šveice

Auskari

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Sudraba šņaucamā kaste.

Sudraba šņaucamā kaste.

7 čuguna logu stieņi

7 čuguna logu stieņi

Sudraba, dekoratīvs trauks ar bruņinieka galma ainu. 19. gadsimts.

Sudraba, dekoratīvs trauks ar bruņinieka galma ainu. 19. gadsimts.

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Porcelāna pāris Ķīnas mūziķi. KPM.

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Virsnieka zobens. Francija 19.gs.

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Sudrabs, franču gliemene kobaltzilā gijošētā emaljā.

1900. gadu impērijas svečturi.

1900. gadu impērijas svečturi.

Sudraba vāze saldumiem. Kārlis Andersons. Stokholma, 1902 .

Sudraba vāze saldumiem. Kārlis Andersons. Stokholma, 1902 .

Tastevin jeb someljē bļoda. Pjērs Hipolīts Furnero, Parīze 1833-1857

Tastevin jeb someljē bļoda. Pjērs Hipolīts Furnero, Parīze 1833-1857

Kamīna pulkstenis. Cariskā Krievija. 19 gs.

Kamīna pulkstenis. Cariskā Krievija. 19 gs.

Porcelāna figūra Fenneka lapsas

Porcelāna figūra Fenneka lapsas

19. gadsimta franču paklājs Aubusson stilā.

19. gadsimta franču paklājs Aubusson stilā.

Vīna dzesētājs jūgendstilā

Vīna dzesētājs jūgendstilā

Kunga Pantokrāta ikona ar sudraba rāmi. Firma P.A. Ovčiņņikova. Maskava, 1866

Kunga Pantokrāta ikona ar sudraba rāmi. Firma P.A. Ovčiņņikova. Maskava, 1866

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Apaļa koka kaste.

Apaļa koka kaste.

Akmens griezuma miniatūra Orangutāns Faberžē stilā

Akmens griezuma miniatūra Orangutāns Faberžē stilā

Miniatūra sudraba sāls kratītāja ar emalju. Øystein Balle, Norvēģija.

Miniatūra sudraba sāls kratītāja ar emalju. Øystein Balle, Norvēģija.

Ādolfs Zardiņš. Aina interjerā.

Ādolfs Zardiņš. Aina interjerā.