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Portrait Of General Goethals Attributed to Gustaaf Wappers (1803-1874)

Portrait Of General Goethals Attributed to Gustaaf Wappers (1803-1874)

This artwork is a portrait of General Goethals, who served as the commanding officer of the Province of Antwerp during the Bourbon Restoration era. It was painted in 1826 by the renowned artist Charles Gustave, Baron Wappers who mostly signed his works with the Dutch form of his name, Gustaaf Wappers. The portrait is beautifully presented within an opulent wooden frame, gilded with authentic gold leaf in the Empire style typical of the Bourbon Restoration period. The painting has undergone careful cleaning and restoration to preserve its exquisite details and historical significance.Gustaaf Wappers (1803-1874) studied at the Royal Academy of Fine Arts in Antwerp and in Paris during the time when the Romantic movement with its new ideas about art and politics was astir in France. Wappers was the first Belgian artist to take advantage of this state of affairs, and his first exhibited painting, The Devotion of the Burgomaster of Leiden, appeared at the appropriate moment and had great success in the Brussels Salon in 1830, the year of the Belgian Revolution. While political, this remarkable work revolutionised the direction of Flemish painters.

Mer et pins

SkaideniaHommes sciant

SkaideniaHommes sciant

Un coup d&39;oeil

Un coup d&39;oeil

Aube au bord de la rivière

Aube au bord de la rivière

Crépuscule à Paris

Crépuscule à Paris

Œuvres au Musée d&39;art national

Œuvres au Musée d&39;art national

Paysage de printemps

Paysage de printemps

À Ventspils, au nouveau port de pêche

À Ventspils, au nouveau port de pêche

Femmes de pêcheurs

Femmes de pêcheurs

`Vaughan Springs Dreaming Pikilyi` Aboriginal Painting by Faye Nangala Hudson

`Vaughan Springs Dreaming Pikilyi` Aboriginal Painting by Faye Nangala Hudson

Faye (Theo) Nangala Hudson portrays the narrative of Pikilyi, also known as the Vaughan Springs Dreaming, a sacred waterhole that never dries up. This natural spring, situated near Mount Doreen Station, is believed to have been formed by two Rainbow Serpents who lived as a married couple. Their union, however, went against the Warlpiri religious laws due to the incompatibility between their respective clan groups. To rectify this, women came to remove lice from the bodies of these mythical beings, and in return, they were granted the privilege to access the water. Even today, Aboriginal women perform ceremonies at this location, where the spirits of these two serpents are said to dwell.In her artwork, Faye (Theo) Nangala Hudson skillfully depicts the ngawarra, or floodwaters, of this sacred site using curved and straight lines. Her attention to detail extends to the depiction of her homelands landscape. Circles represent mulju, or water wells, while short straight lines symbolise mangkurdu, or cumulus and stratocumulus clouds. These Aboriginal symbols swell under her brush, and the warm colors, characteristic of the Australian red desert, overlay one another, creating a distinctive vibrational effect that embodies the waters waves. This painting was made in 2017.Faye (Theo) Nangala Hudson was born in Alice Springs in 1989 and grew up in Nyirripi, an Aboriginal community located 440 km northwest of Alice Springs. She attended the local school until the age of fourteen. Faye began her painting journey at thirteen, in 2002, when she joined the Warlukurlangu Aboriginal Corporation, an Aboriginal art center. Her artistic creations draw inspiration from the dreams passed down by her mother and father: Yuparli Jukurrpa (Bush Banana Dreaming) and Pikilyi Jukuurpa (Vaughan Springs Dreaming). Employing traditional Aboriginal symbols, she has developed a vibrant and personal style characterised by flat areas of pure colours and dot painting.A certificate of authenticity accompanies this artwork.

Superviser

Paysage. Les gens dans les rues

Paysage. Les gens dans les rues

Paysage

Nature morte

Paysage fluvial

Paysage fluvial

Miracle

Nature morte

Mid 18th Century Oil Painting Depicting a Scene with Courtesans on Canvas

Mid 18th Century Oil Painting Depicting a Scene with Courtesans on Canvas

Title : Spanish Conversation, in the style of Carle Van LooWe present you this wonderful 18th century oil on canvas painting depicting three French courtesans, a nobleman, and his faithful dog amidst a grand palatial setting with arcades and a scenic natural view in the back. The scene is executed with great skill and precision, displaying a harmonious composition of colours and placement of all the elements and perspective within the artwork.The original signed and dated 1754 at the foot of the column was presented at the Salon of 1755 but it was the engravings that Beauvarlet made of it in 1769 as well as another entitled the Spanish Reading which made them famous. Both paintings had been purchased by the famous Madame Geoffrin and upon her death in 1772 were acquired by Catherine II the Great for the Hermitage Palace in Saint Petersburg where they still remain.Beaumarchais used this engraving to set the setting for Scene 4 of Act II of The Marriage of Figaro.The beautiful wooden gilt frame is from the 18th century too and add a great value to the work.The artwork measures 72 cm in height and 60 cm in width without the frame and 92 cm in height and 80 cm in width with the frame.

Matin

Samedi 4

Paysage avec rivière

Paysage avec rivière

Décors pour la pièce Spartak

Décors pour la pièce Spartak

Ensemble de décorations pour l&39;opéra Feu et Nuit : Vue du château de Lielvārde

Ensemble de décorations pour l&39;opéra Feu et Nuit : Vue du château de Lielvārde

Paysage

Route

Nature morte aux pommes - Ludovic GIGNOUX XXème siècle

Nature morte aux pommes - Ludovic GIGNOUX XXème siècle

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