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The ancient Crucifixion of the Savior - Calvary with the ones to come. Russia. Late 17th - early 18th centuries
Ancient Crucifixion of the Savior - Calvary with the coming ark type. Russia, late 17th - early 18th centuries Chamber and tragic universe of the Christian faith - crucifixion cross on thick cross boards of northern work, the last quarter of the 17th century. Paradise, pain and hope of personal appeal to God. Canonically represents the idea of suffering, atoning sacrifice, and resurrection from the cross. It is not for nothing that the signature at the crossbar reads: "We bow to your cross. We glorify the great true resurrection. In the center of the composition is a crucifix framed with medallions of the mourning Mother of God and Ion the Theologian; the angels of the Lord and Calvary against the backdrop of the inexorable and thorny spiers of Jerusalem. Not a hand-made ubrus, a witness to the drama, crowns the composition. The vertically blue enamel crowns adorn and document the resurrection from the cross. The quiet triumph of sacred truths is opposed by the tragic diagonal of the walls, rhythmically launching the composition. The contours of human sorrow and enlightened hope embrace the entire cross with the halos of Jonah and Mary. They sound like pearls - a well-known symbol of purity and a hymn to hope. Wood, ark, gesso, egg tempera, silver, brass alloy, polychrome cloisonne enamel. The crucifix is bordered with decorative braided piping with enamel grinders. Excellent collectible condition. No restoration interventions. Insignificant traces of existence.
Item description is approximate automatic translation . Antiqon.com is not responsible for translation errors. Show original text.
Старинное Распятие Спасителя - Голгофа с предстоящими. Россия. Конец XVII - начало XVIII вв.
Старинное Распятие Спасителя - Голгофа с предстоящими ковчежного типа. Россия, конец XVII - начало XVIII вв. Камерный и трагический универсум христианской веры - крест распятие на толстых перекрёстных досках северной работы, последней четверти 17 века. Рай, боль и упование личного обращения к Богу. Канонически репрезентует идею страданий, искупительной жертвы и воскресения с креста. Не даром подписи у перекладины гласят: «Кресту твоему поклоняемся. Великое истинное воскресение славим». В центре композиции распятие, обрамлённое медальонами скорбящих Богоматери и Иона Богослова; ангелами господними и голгофой на фоне неумолимых и колючих шпилей Иерусалима. Не рукотворный убрус, свидетель драмы, венчает композицию. Голубые венцы эмалей по вертикали украшают и документируют воскресение с креста. Тихому торжеству сакральных истин противостоит трагическая диагональ стен, ритмически запускающих композицию. Контуры человеческой скорби и просветленной надежды обнимают весь крест с нимбами Иона и Марии. Звучат как жемчуг - известный символ чистоты и гимн надежде.Дерево, ковчег, левкас, яичная темпера, серебро, латунный сплав, полихромная перегородчатая эмаль. Распятие окаймлено декоративным плетеным кантом с эмалевыми дробницами. В отличном коллекционном состоянии. Без реставрационных вмешательств.Незначительные следы бытования.
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Read unique art history information prepared by professional Art market participants, Art Expert.
Konstantin Artamonov
Master of Arts. Graduate of the Repin Institute of Painting, Sculpture, and Architecture. With 20 years of experience in the field of antiques and teaching the history of fine arts at university.
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