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Lithograph by Robert Combas (1957-). Signed and Numbered 4390
It is an Original print by Robert Combas. Printed in 2016 in mixed technique by lEstampe 15 passages in lithography and one passage of embossing on 400 grams Vélin de Rives paper.90 copies. Hand signed and numbered by the artist 45/90.Sold framed.Robert Combas interprets femininity in its intimacy and from all its angles.About the artist:Robert Combas was born in Lyon in 1957. He spent his childhood and adolescence in Sète. Emerging against a backdrop of the dominance of conceptual art and a return to figuration in the late 70s, the work of Robert Combas, discovered by the public on the occasion of the Musée de Saint-Étienne exhibition Après le classicisme, came as a great surprise in France. Influenced by Rock and Roll, comics, graphic arts and the North African signs the artist saw in Sète, Robert Combas invented a complex iconography that blends, without hierarchy, scholarly and popular culture. He uses recycled materials and cardboard as supports for expressionist paintings, which he elaborates drawing inspiration from his teenage years.
Lithograph by Robert Combas (1957-). Signed and Numbered 4390
It is an Original print by Robert Combas. Printed in 2016 in mixed technique by lEstampe 15 passages in lithography and one passage of embossing on 400 grams Vélin de Rives paper.90 copies. Hand signed and numbered by the artist 45/90.Sold framed.Robert Combas interprets femininity in its intimacy and from all its angles.About the artist:Robert Combas was born in Lyon in 1957. He spent his childhood and adolescence in Sète. Emerging against a backdrop of the dominance of conceptual art and a return to figuration in the late 70s, the work of Robert Combas, discovered by the public on the occasion of the Musée de Saint-Étienne exhibition Après le classicisme, came as a great surprise in France. Influenced by Rock and Roll, comics, graphic arts and the North African signs the artist saw in Sète, Robert Combas invented a complex iconography that blends, without hierarchy, scholarly and popular culture. He uses recycled materials and cardboard as supports for expressionist paintings, which he elaborates drawing inspiration from his teenage years.
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