Russian art

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SILVER CLOISONNÉ-ENAMELLED TEA GLASS HOLDER. FYODOR RUCKERT RUSSIA, MOSCOW, TURN OF THE 19TH – 20TH CENTURY

SILVER CLOISONNÉ-ENAMELLED TEA GLASS HOLDER. FYODOR RUCKERT RUSSIA, MOSCOW, TURN OF THE 19TH – 20TH CENTURY

An exquisite silver tea glass holder executed in the cloisonné enamel technique, representing a characteristic and highly accomplished example of the Moscow workshop of Fyodor Ruckert and standing as a benchmark of Russian jewellery art at the turn of the 19th and 20th centuries. The cylindrical body is adorned with a complex polychrome composition of polylobed medallions featuring stylised geometric and foliate motifs on a cream ground, punctuated by translucent red enamel accents. The ornamentation is further enriched by elegant scrolling flowers and foliage on a sky-blue enamelled background, forming a dense and rhythmically balanced decorative surface.The stepped foot is decorated with a band of polychrome cloisonné enamel forming a foliate frieze on a cobalt-blue ground, enhancing the architectural clarity and completeness of the form. The handle, of complex polylobed profile, is fully enamelled in cloisonné and executed en suite with the body. The interior is gilded, in accordance with the highest aesthetic and practical standards of Moscow silver workshops of the period.Marks: Maker’s mark “FR” in a rectangular cartouche, the mark of the workshop of Fyodor Ruckert; State assay mark of the Moscow Assay District depicting a female head in kokoshnik facing left, within an oval cartouche, with the fineness mark “88” and the initials of the assay master “IL” - Ivan Lebedkin, assay mark type used between 1899 and 1908.Dimensions: Height - 10 cm; Diameter - 7.5 cm.Weight: 196 g (gross).Condition: Good. Minor local losses and small areas of enamel damage consistent with age and use. Gilding to the interior with natural and even wear. No deformation.Provenance: European private collection.

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Russian Silver Tea Caddy. Moscow 1896-1908

Russian Silver Tea Caddy. Moscow 1896-1908

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Miniature silver samovar. Early 20th century.

Miniature silver samovar. Early 20th century.

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SILVER-GILT SUGAR BASKET. MATVEY NIKIFOROV. MOSCOW, 1875

SILVER-GILT SUGAR BASKET. MATVEY NIKIFOROV. MOSCOW, 1875

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A PAIR OF EPAULETTES WITH THE CIPHER OF EMPEROR ALEXANDER II RUSSIA, SECOND HALF OF THE 19TH CENTURY

A PAIR OF EPAULETTES WITH THE CIPHER OF EMPEROR ALEXANDER II RUSSIA, SECOND HALF OF THE 19TH CENTURY

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BRONZE FIGURINE OF A POLICEMAN, PAINTED WITH COLD ENAMELS AFTER A FABERGÉ MODEL RUSSIA, SAINT PETERSBURG, 1911

BRONZE FIGURINE OF A POLICEMAN, PAINTED WITH COLD ENAMELS AFTER A FABERGÉ MODEL RUSSIA, SAINT PETERSBURG, 1911

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SILVER SALT CELLAR IN THE ART NOUVEAU STYLE WITH BUTTERFLIES. GUSTAV KLINGERT MOSCOW, RUSSIA, 1899-1908

SILVER SALT CELLAR IN THE ART NOUVEAU STYLE WITH BUTTERFLIES. GUSTAV KLINGERT MOSCOW, RUSSIA, 1899-1908

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SILVER TRAY WITH A VIEW OF THE MOSCOW KREMLIN RUSSIA, MOSCOW, 1881

SILVER TRAY WITH A VIEW OF THE MOSCOW KREMLIN RUSSIA, MOSCOW, 1881

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Elegant silver vodka set in the neo-Russian style, workshop S.M. Ikonnikov.

Elegant silver vodka set in the neo-Russian style, workshop S.M. Ikonnikov.

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Icon of Saint Nicholas with life on a cypress board, second half of the 19th century.

Icon of Saint Nicholas with life on a cypress board, second half of the 19th century.

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SILVER SAMOVAR. JOHAN OLSONIUS RUSSIA, SAINT PETERSBURG, THIRD QUARTER OF THE 19TH CENTURY

SILVER SAMOVAR. JOHAN OLSONIUS RUSSIA, SAINT PETERSBURG, THIRD QUARTER OF THE 19TH CENTURY

A cylindrical silver samovar executed in the third quarter of the 19th century by Johan Olsonius, one of the key masters of the Grachev Brothers firm, Purveyors to the Russian Imperial Court. The piece displays the defining characteristics of the Saint Petersburg artistic silversmithing school: strict proportions, architectural clarity of silhouette, and a high level of craftsmanship. The body is distinguished by its well-balanced plasticity of form, reflecting the metropolitan taste and academic traditions of the second half of the 19th century. The tap is adorned with an openwork lanceolate plate with finely pierced decoration, enhancing the decorative expressiveness of the object. The side handles are fitted with turned ivory inserts, creating a noble contrast of materials and reinforcing the refined visual composition. The samovar rests on four flattened ball feet, typical of works produced by the Grachev Brothers firm during this period. The interior of the vessel retains traces of original gilding.Marks: Maker’s mark “J.O.” – Johan Olsonius; Imperial Russian assay mark with fineness “84”; Saint Petersburg city assay mark.Dimensions: Height: 40 cm; Diameter: 15 cm.Weight: Gross weight: 2320 g.Condition: Good.Provenance: Private European collection.

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Icon of Our Lady of Kazan.

Icon of Our Lady of Kazan.

Engraving Siege of Ochakov 1788.

Engraving Siege of Ochakov 1788.

ICON “SAINT NICHOLAS THE WONDERWORKER WITH SELECTED SAINTS” RUSSIA, LATE 19TH CENTURY

ICON “SAINT NICHOLAS THE WONDERWORKER WITH SELECTED SAINTS” RUSSIA, LATE 19TH CENTURY

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Silver Ruble 1843. Russia - Nicholas I (1825-1855).

Silver Ruble 1843. Russia - Nicholas I (1825-1855).

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Picture frame

WATER LILIES (NYMPHAEAS) D.A. LISHCHENKO, 1925

WATER LILIES (NYMPHAEAS) D.A. LISHCHENKO, 1925

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PHOTO FRAME IN THE ART NOUVEAU STYLE RUSSIA, 20TH CENTURY

PHOTO FRAME IN THE ART NOUVEAU STYLE RUSSIA, 20TH CENTURY

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SILVER CIGARETTE CASE AND MATCHBOX WITH CLOISONNÉ ENAMEL.MOSCOW, MASTER V. AKIMOV, 1899–1908

SILVER CIGARETTE CASE AND MATCHBOX WITH CLOISONNÉ ENAMEL.MOSCOW, MASTER V. AKIMOV, 1899–1908

A refined silver cigarette case and matchbox, produced at the turn of the 19th and 20th centuries in the Moscow workshop of Vladimir Akimov. Lavishly decorated with delicate cloisonné enamel over a gilt ground, the items feature finely painted floral garlands and scrolling acanthus in soft pastel hues. The central cartouches present maritime scenes with sailing ships, adding a romantic accent and underlining the aristocratic taste of the owner. A beaded border of white enamel enhances the volume and refinement of the composition. Housed in the original wooden case with red velvet lining. Hallmarks:Moscow district assay office hallmark of the period 1899–1908, depicting a female head in kokoshnik facing left, in an oval reserve, with the initials of the assay master Ivan Sergeyevich Lebedkin and the number 84 indicating silver fineness. Makers mark VA in a rectangular reserve, attributed to silversmith Vladimir Nikitich Akimov. Dimensions:Cigarette case: 9 × 7.5 × 1.5 cm; Matchbox: 6 × 4 × 2 cm Weight:Total gross weight: 259 g (cigarette case – 190 g; matchbox – 69 g) Condition:Good collectible condition. Enamel and gilding well-preserved, no significant losses. Original case with minor age-appropriate signs of use.Provenance:Private collection. Sale: Sotheby’s Olympia, Russian Pictures, Works of Art and Icons, 20 May 2005, Lot 28.

SILVER SALT CELLAR IN THE FORM OF A THRONE RUSSIAN EMPIRE, MOSCOW, 1883

SILVER SALT CELLAR IN THE FORM OF A THRONE RUSSIAN EMPIRE, MOSCOW, 1883

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SILVER THRONE-FORM SALT CELLAR IN THE HISTORICISM STYLE RUSSIAN EMPIRE, MOSCOW, 1891

SILVER THRONE-FORM SALT CELLAR IN THE HISTORICISM STYLE RUSSIAN EMPIRE, MOSCOW, 1891

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Silver salt shaker Throne. Moscow. Russia. 1867.

Silver salt shaker Throne. Moscow. Russia. 1867.

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SCULPTURAL MINIATURE “WOODCUTTER”. NICHOLS & PLINKE RUSSIA, ST PETERSBURG, SECOND HALF OF THE 19TH CENTURY

SCULPTURAL MINIATURE “WOODCUTTER”. NICHOLS & PLINKE RUSSIA, ST PETERSBURG, SECOND HALF OF THE 19TH CENTURY

Russian gold bracelet with enamel. 19th century.

Russian gold bracelet with enamel. 19th century.

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Medal. Petrel. Uzbek Republican Council.

Medal. Petrel. Uzbek Republican Council.

SILVER CUP WITH POLYCHROME ENAMELS. MASTER VASILIY AGAFONOV RUSSIA, MOSCOW, LATE 19TH CENTURY

SILVER CUP WITH POLYCHROME ENAMELS. MASTER VASILIY AGAFONOV RUSSIA, MOSCOW, LATE 19TH CENTURY

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GOLD COIN 5 RUBLES OF ALEXANDER III, 1889. RUSSIA

GOLD COIN 5 RUBLES OF ALEXANDER III, 1889. RUSSIA

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