Paintings

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Painting Pine Forest. Kamensky Gavriil Pavlovich 1897

Painting Pine Forest. Kamensky Gavriil Pavlovich 1897

The painting Pine Forest is an outstanding example of Russian landscape painting of the late 19th century. At the center of the composition is a majestic pine grove, full of mysterious charm. The first element that captures the viewer`s eye is a winding stream that meanders through the scene, surrounded by sandy slopes. The reflected light gives the water a picturesque depth, while a soft glow breaks through the cloud cover, illuminating the rocky surfaces and contrasting them with the dense shadows of the forest thicket.The monumental trunks of pines towering over the landscape form a strict vertical dominant, emphasizing the power and grandeur of nature. Kamensky masterfully conveys the texture of tree bark, covered with moss, and rocky shores, creating a sense of volume. His thick, rich impasto strokes enhance the drama of the scene, endowing it with expressive painterly texture.The interplay of light and shadow is skillfully orchestrated: from the bright sunlight on the sand to the deep, twilight tones in the depths of the forest. The atmosphere of the painting is filled with serene dynamism, felt in the movement of water and the rustling of foliage under the wind. The canvas becomes a hymn to Russian nature, recreated with exceptional mastery and attention to detail. The work shows the influence of Ivan Shishkin`s school, yet Kamensky brings his individual poetic approach, blending realistic accuracy with deep lyrical perception.Signature: G. Kamenskij 1897, located in the lower right corner.Materials and technique: Oil on canvas.Condition: Canvas relined.Dimensions: 59.8 × 86 cm (framed: 90 × 115 cm). Historical reference:Gavriil Pavlovich Kamensky (1853–1912) was a Russian painter and theatrical decorator, a recognized master of landscape painting and scenography. His work is characterized by virtuoso mastery of light and shadow, attention to detail, and deep understanding of nature. Kamensky`s works are housed in the collections of major museums in Russia and Belarus, including the State Russian Museum in St. Petersburg.

Travelers - planes

Travelers - planes

A86 - planes

Meryem Tayganskaya, Nude Painting, Oil on Canvas, 21st Century

Meryem Tayganskaya, Nude Painting, Oil on Canvas, 21st Century

Girl portrait

Meryem Tayganskaya, Nude Painting, Oil on Canvas, 21st Century

Meryem Tayganskaya, Nude Painting, Oil on Canvas, 21st Century

Meryem Tayganskaya, Nude Painting, Oil on Canvas, 21st Century

Meryem Tayganskaya, Nude Painting, Oil on Canvas, 21st Century

A classic motif - still life

A classic motif - still life

Meryem Tayganskaya, Nude Painting, Oil on Canvas, 21st Century

Meryem Tayganskaya, Nude Painting, Oil on Canvas, 21st Century

Martian girl

Early 18th Century Dutch Landscape Painting Attributed to Théobald Michau

Early 18th Century Dutch Landscape Painting Attributed to Théobald Michau

This wonderful oil painting on canvas portrays a vibrant Dutch landscape and is attributed to Théobald Michau (1676-1765). It is characterised by a realistic depiction of everyday rural life in a flat Dutch landscape, emphasising intricate details of the scenery and luminism in the portrayal of light effects. The atmospheric perspective creates depth and portrays the dynamic influence of changing weather conditions in the painting, due to its use of soft colours in the background, giving the illusion of depth and distance. It is presented within a modern wooden frame and dates back to the 18th century, maintaining an impeccable condition.Théobald Michau was a Flemish painter known for his landscapes and genre paintings more famous in his own time than he is today. He began his training at the age of ten in Brussels under Lucas Achtschellinck, also a landscape painter. In 1698, he became a master in the Guild of Brussels, and in 1710, he was elected as a member of the Guild of Antwerp. He is considered a follower of Flemish landscape masters of the 17th century, such as Jan Brueghel the Elder or David Teniers the Younger.

Meryem Tayganskaya, Nude Painting, Oil on Canvas, 21st Century

Meryem Tayganskaya, Nude Painting, Oil on Canvas, 21st Century

Inhale & Merge

Meryem Tayganskaya, Nude Painting, Oil on Canvas, 21st Century

Meryem Tayganskaya, Nude Painting, Oil on Canvas, 21st Century

The other side of the sun

The other side of the sun

While am seeking myshelf - Modern realism

While am seeking myshelf - Modern realism

Meryem Tayganskaya, Nude Painting, Oil on Canvas, 21st Century

Meryem Tayganskaya, Nude Painting, Oil on Canvas, 21st Century

Jung Axel, Nude Painting, Oil on Canvas, 21st Century

Jung Axel, Nude Painting, Oil on Canvas, 21st Century

Oil-Painting by Jean Thomas (1923- 2019): `the Viaduct of Caramel`

Oil-Painting by Jean Thomas (1923- 2019): `the Viaduct of Caramel`

Trained at the Academy of Fine Arts in Lyon, Jean Thomas began exhibiting his works as early as 1946. Following in the footsteps of the great painters of modernity, his early paintings echo Thomass biggest influences, namely Fernand Léger and Matisse. Some articles published about him discuss the assertion of a true artistic personality, comparing him to his contemporaries: Bernard Buffet, Aizpiri, Krol, Martinet, Patrix etc. From 1955 onwards, Jean Thomas focused primarily on landscape painting, through a precise study of light and great pictorial mastery. His works bear witness to a trend: the realistic post-war landscapes. As a professional painter, he exhibited his works on numerous occasions, most notably at the Art Gallery of Place Beauvau and at the Tournelle Gallery in Paris. In total, he participated in over a hundred exhibitions in France and abroad.Enclosed in a white frame, this painting was completed by Jean Thomas on the 9th of June 1984. Signed in the bottom right corner.

Jung Axel, Nude Painting, Oil on Canvas, 21st Century

Jung Axel, Nude Painting, Oil on Canvas, 21st Century

Jung Axel, Nude Painting, Oil on Canvas, 21st Century

Jung Axel, Nude Painting, Oil on Canvas, 21st Century

Jung Axel, Nude Painting, Oil on Canvas, 21st Century

Jung Axel, Nude Painting, Oil on Canvas, 21st Century

Jung Axel, Nude Painting, Oil on Canvas, 21st Century

Jung Axel, Nude Painting, Oil on Canvas, 21st Century

Jung Axel, Nude Painting, Oil on Canvas, 21st Century

Jung Axel, Nude Painting, Oil on Canvas, 21st Century

Kirillova Julia, Nude Pastel Painting, 21st Century.

Kirillova Julia, Nude Pastel Painting, 21st Century.

Kirillova Julia, Nude Pastel Painting, 21st Century.

Kirillova Julia, Nude Pastel Painting, 21st Century.

Kirillova Julia, Nude Pastel Painting, 21st Century.

Kirillova Julia, Nude Pastel Painting, 21st Century.

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Table lamp with porcelain.

Table lamp with porcelain.

Medal. Petrel. Uzbek Republican Council.

Medal. Petrel. Uzbek Republican Council.

Decorative Dish. Vein.

Decorative Dish. Vein.

Porcelain column. Gustavsberg

Porcelain column. Gustavsberg

Serhiy Reznichenko, Watercolor Nude Sketch, 21st Century

Serhiy Reznichenko, Watercolor Nude Sketch, 21st Century

Porcelain plaque The Birth of Venus. Alexandre Cabanel. Late 19th century

Porcelain plaque The Birth of Venus. Alexandre Cabanel. Late 19th century

Silver Cup. Tennis. Fenton Brothers Ltd. 1926

Silver Cup. Tennis. Fenton Brothers Ltd. 1926

Holsmsohn-Holm Bieraugler. Photo. Oranienbur Strasse. 2005.

Holsmsohn-Holm Bieraugler. Photo. Oranienbur Strasse. 2005.

Art Nouveau style box.

Art Nouveau style box.

Leather portfolio with silver overlay. Russia, 1908-1917.

Leather portfolio with silver overlay. Russia, 1908-1917.

Silver vase for sweets. Karl Andersson. Stockholm, 1902.

Silver vase for sweets. Karl Andersson. Stockholm, 1902.

A pair of bronze candlesticks in the Baroque style. 19th century.

A pair of bronze candlesticks in the Baroque style. 19th century.

Table box for jewelry. Sevres 1830.

Table box for jewelry. Sevres 1830.

Pug Viennese bronze.

Pug Viennese bronze.

Juri Saarikoski (Finland, Born 1961), Portrait of His Dying Father, 1983

Juri Saarikoski (Finland, Born 1961), Portrait of His Dying Father, 1983

Abduction of the Sabines after the model of Giovanni da Bologna

Abduction of the Sabines after the model of Giovanni da Bologna

A pair of superb carved mahogany banquettes in the George II style. The turn of the 19th-20th centuries.

A pair of superb carved mahogany banquettes in the George II style. The turn of the 19th-20th centuries.

Pair of French glass wine jugs in silver. 19th century.

Pair of French glass wine jugs in silver. 19th century.

Girl with a basket. Meissen

Girl with a basket. Meissen

Stained glass lamp in Tiffany style. 20th century.

Stained glass lamp in Tiffany style. 20th century.