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THE HOLY MANDYLION (SPAS NERUKOTVORNY) IN A SILVER-GILT ENAMELLED OKLAD BY IVAN TARABROV MOSCOW, RUSSIA, 1894

THE HOLY MANDYLION (SPAS NERUKOTVORNY) IN A SILVER-GILT ENAMELLED OKLAD BY IVAN TARABROV MOSCOW, RUSSIA, 1894

The Holy Mandylion (Spas Nerukotvorny) is an outstanding example of late 19th-century Russian Orthodox art, in which strict canonical tradition is harmoniously combined with the virtuoso craftsmanship of the Moscow silversmithing school. The image of Christ, executed in tempera on wood, is distinguished by the soft modelling of the features, profound inner concentration, and a penetrating, contemplative gaze. The composition is complemented by two angels holding the cloth bearing the miraculous image, reinforcing the theological meaning and emphasising the idea of divine revelation and heavenly protection.The icon is set within a sumptuous silver-gilt oklad created in 1894 in the renowned Moscow workshop of Ivan Filippovich Tarabrov. The oklad is richly adorned with cloisonné and champlevé enamels. The halo surrounding the face of Christ is decorated with an intricate ornamental design featuring deep blue, red, and white tones set against a gilt and blue ground. A distinctive characteristic of Tarabrov’s workshop is the use of gold foil beneath the red enamel, producing a luminous depth of colour and an inner radiance.The cloth (ubrus) bearing the image of Christ is embellished with finely chased decoration on a silver ground, its edges framed by raised ornamental patterns on gilt surfaces. The corner plaques are adorned with vegetal motifs executed in filigree with enamel infill. The fields of the oklad are further enriched with elegant high-relief vegetal ornamentation and bordered by engraved bands, lending the composition harmony and refinement. Every detail of the oklad testifies to exceptional precision of execution and refined artistic taste, enhancing the sacred and solemn character of the image.Marks: Cyrillic letters “IT” – maker’s mark of the silversmith Ivan Filippovich Tarabrov; Assay mark with the initials of the assay master “L•O” (Oleks Lev Fyodorovich) positioned above the date “1894”; Moscow city mark depicting Saint George slaying the dragon.Technique and materials: Wood, tempera; silver, gilding; cloisonné and champlevé enamels; chasing, engraving, filigree.Dimensions: 31.5 × 28 cm.

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Travel bar in Boulle style Napoleon III period, 19th century.

Travel bar in Boulle style Napoleon III period, 19th century.

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SILVER CABINET FIGURE OF ELISABETH OF BURGUNDY, KURZ J. & CO GERMANY, HANAU, TURN OF THE 19TH AND 20TH CENTURIES

SILVER CABINET FIGURE OF ELISABETH OF BURGUNDY, KURZ J. & CO GERMANY, HANAU, TURN OF THE 19TH AND 20TH CENTURIES

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Photo frame

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SILVER CABINET FIGURE OF A KNIGHT GERMANY, HANAU, EFES, TURN OF THE 19TH - 20TH CENTURIES

SILVER CABINET FIGURE OF A KNIGHT GERMANY, HANAU, EFES, TURN OF THE 19TH - 20TH CENTURIES

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GOLD CIGARETTE CASE BY THE FIRM E. BURKHARD RUSSIA, SAINT PETERSBURG, EARLY 20TH CENTURY

GOLD CIGARETTE CASE BY THE FIRM E. BURKHARD RUSSIA, SAINT PETERSBURG, EARLY 20TH CENTURY

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ASH TRAY “WAR 1914” BY THE FABERGÉ FIRM RUSSIA, 1914–1915

ASH TRAY “WAR 1914” BY THE FABERGÉ FIRM RUSSIA, 1914–1915

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SALT CELLAR IN THE FORM OF A THRONE BY THE SAZIKOV FIRM RUSSIA, SAINT PETERSBURG, SECOND HALF OF THE 19TH CENTURY

SALT CELLAR IN THE FORM OF A THRONE BY THE SAZIKOV FIRM RUSSIA, SAINT PETERSBURG, SECOND HALF OF THE 19TH CENTURY

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GOLD MATCH SAFE WITH GUILLOCHÉ DECORATION, 56 ZOLOTNIK STANDARD RUSSIA, LATE 19TH – EARLY 20TH CENTURY

GOLD MATCH SAFE WITH GUILLOCHÉ DECORATION, 56 ZOLOTNIK STANDARD RUSSIA, LATE 19TH – EARLY 20TH CENTURY

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SILVER CHAMPAGNE COOLER WITH DRAGON HANDLES. EUROPE, LATE 19TH - EARLY 20TH CENTURY

SILVER CHAMPAGNE COOLER WITH DRAGON HANDLES. EUROPE, LATE 19TH - EARLY 20TH CENTURY

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PAIR OF EMPIRE STYLE ARMCHAIRS FRANCE, FIRST QUARTER OF THE 19TH CENTURY

PAIR OF EMPIRE STYLE ARMCHAIRS FRANCE, FIRST QUARTER OF THE 19TH CENTURY

A distinguished pair of Empire period armchairs crafted from mahogany and adorned with gilt bronze mounts. The chairs form an elegant semi-cylindrical volume with straight, architecturally emphatic front legs and dynamically curved rear supports. The high sweeping arms merge seamlessly into the backrests and terminate in finely cast gilt bronze ram’s heads, serving as the principal symbolic and decorative accents. The primary ornamentation is concentrated on the façade: the legs and horizontal stretchers are enriched with delicately executed grotesques echoing the ram motif, as well as arabesques with trumpeting trophies, pearls, and shells. The warm, deep tone of the polished mahogany provides a refined contrast to the brilliance of the gilt bronze. The upholstery is executed in classical patterned textile with vegetal motifs, harmoniously complementing the строгая architectural clarity of the form.Dimensions: Height: 78 cm. Width: 53 cm.Condition: After professional full restoration. The structure has been stabilised, the mahogany carefully conserved, the gilt bronze mounts cleaned and secured, and the upholstery renewed with respect for the historical character of the pieces.Provenance: Private European collection.

SILVER FIGURE OF HARLEQUIN GERMANY, HANAU, LATE 19TH CENTURY

SILVER FIGURE OF HARLEQUIN GERMANY, HANAU, LATE 19TH CENTURY

SILVER CABINET FIGURE OF A KNIGHT. J. KURZ & CO. GERMANY, HANAU, TURN OF THE 19TH - 20TH CENTURIES

SILVER CABINET FIGURE OF A KNIGHT. J. KURZ & CO. GERMANY, HANAU, TURN OF THE 19TH - 20TH CENTURIES

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SILVER CABINET FIGURE OF A KNIGHT GERMANY, HANAU, LATE 19TH - EARLY 20TH CENTURY

SILVER CABINET FIGURE OF A KNIGHT GERMANY, HANAU, LATE 19TH - EARLY 20TH CENTURY

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Ikebana Flowers. Bone carving from the Meiji Japan period

Ikebana Flowers. Bone carving from the Meiji Japan period

18K white gold ring with diamonds and tanzanite.

18K white gold ring with diamonds and tanzanite.

Porcelain figurine "Children with geese"

Porcelain figurine "Children with geese"

LARGE DOUBLE-LIGHT HANGING LANTERN RUSSIA, EARLY 19TH CENTURY

LARGE DOUBLE-LIGHT HANGING LANTERN RUSSIA, EARLY 19TH CENTURY

KHARLAMPY DMITRIEVICH KOSTANDI (SECOND HALF OF THE 1860s – AFTER 1917). STORMY SEA RUSSIA, EARLY 20TH CENTURY

KHARLAMPY DMITRIEVICH KOSTANDI (SECOND HALF OF THE 1860s – AFTER 1917). STORMY SEA RUSSIA, EARLY 20TH CENTURY

An outstanding example of late Russian Marinism, Stormy Sea, created by Kharlampiy Dmitrievich Kostandi in the early 20th century, stands among the artist’s most expressive works devoted to the theme of the sea.With remarkable mastery, the artist conveys the raw energy of the raging waters. Foaming waves surge toward a fragile boat, filled with tension, movement, and a sense of inevitability. The sea surface is rendered with striking expressiveness, allowing the viewer to sense the motion of water, gusts of wind, and the charged atmosphere of an approaching storm.At the center of the composition is a small boat with sailors struggling fiercely against the waves. Their tense, determined figures become a powerful symbol of courage, the fight for survival, and hope for salvation. In the distance, along the horizon line, the faint silhouette of a sailing vessel enhances the vastness of space and underscores human vulnerability in the face of nature’s overwhelming force. The contrast between the immensity of the sea and human presence lends the work its dramatic intensity.The color palette is built upon subtle transitions of cool tones, ranging from translucent blues and turquoises to silvery greys. Luminous reflections give the water depth and vibrant movement, while the soft yet energetic brushwork creates a sense of breathing space. This atmospheric treatment aligns Kostandi with the finest masters of the Russian Marinist tradition, while highlighting his individual, restrained, and realist approach in contrast to the Romantic expressiveness of Aivazovsky.Dimensions: 49 × 80 cm (framed 78 × 110 cm)Medium: Oil on canvasSignature: “X. Kostandi”, lower left, consistent with the artist’s known autographsCondition: Good overall condition, with natural age patina and an even craquelure patternProvenance: Private collection. Authenticity confirmed by expert examinations

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Fruit vase. Carl Thieme.

Fruit vase. Carl Thieme.

French floor lamp made of gilded and patinated bronze. The turn of the 19th and 20th centuries.

French floor lamp made of gilded and patinated bronze. The turn of the 19th and 20th centuries.

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18K yellow gold ring with diamonds.

18K yellow gold ring with diamonds.

"Portrait of the artist Sebastian Vranckx"

"Portrait of the artist Sebastian Vranckx"

Pair of French gilt bronze sconces, Louis XVI style, 19th century.

Pair of French gilt bronze sconces, Louis XVI style, 19th century.

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IMPRESSIVE CHESS TABLE WITH PRECIOUS ROMAN MOSAIC ON CARVED LEGS. ITALY. 19TH CENTURY

IMPRESSIVE CHESS TABLE WITH PRECIOUS ROMAN MOSAIC ON CARVED LEGS. ITALY. 19TH CENTURY

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12.30 ct Colombian emerald ring with 2.15ct pink sapphires in 18k gold.

12.30 ct Colombian emerald ring with 2.15ct pink sapphires in 18k gold.

Large porcelain Easter egg.

Large porcelain Easter egg.

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Engraving "Bulls"

Engraving "Bulls"

GOLD REPEATER POCKET WATCH BY LOUIS ARMAND SWITZERLAND, CIRCA 1900

GOLD REPEATER POCKET WATCH BY LOUIS ARMAND SWITZERLAND, CIRCA 1900

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Antique Russian box Kissing Rite.

Antique Russian box Kissing Rite.

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ICON OF CHRIST PANTOCRATOR IN A GILT SILVER OKLAD WITH ENAMELS RUSSIA, MOSCOW, 1891

ICON OF CHRIST PANTOCRATOR IN A GILT SILVER OKLAD WITH ENAMELS RUSSIA, MOSCOW, 1891

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Salt cellars with spoons.

Salt cellars with spoons.

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ICON OF THE MOTHER OF GOD OF UMILENIE RUSSIA, MOSCOW, 16TH–17TH CENTURY

ICON OF THE MOTHER OF GOD OF UMILENIE RUSSIA, MOSCOW, 16TH–17TH CENTURY

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People of Pardaugava

People of Pardaugava

RUSSIAN PRESENTATION SILVER KOVSH RUSSIA, MOSCOW, 1883

RUSSIAN PRESENTATION SILVER KOVSH RUSSIA, MOSCOW, 1883

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Gilded bronze Easter egg. Russia, late 19th – early 20th century.

Gilded bronze Easter egg. Russia, late 19th – early 20th century.

Icon of the Savior Almighty. 19th century

Icon of the Savior Almighty. 19th century

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BISHOP’S PANAGIA WITH THE IMAGE OF THE VIRGIN AND CHILD RUSSIAN EMPIRE, SAINT PETERSBURG, 1888

BISHOP’S PANAGIA WITH THE IMAGE OF THE VIRGIN AND CHILD RUSSIAN EMPIRE, SAINT PETERSBURG, 1888

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Icon of Saint Alexander Nevsky. Russia 1920

Icon of Saint Alexander Nevsky. Russia 1920

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Painting "Lady with a Fan"

Painting "Lady with a Fan"

Medallion Alexander III. Kasli iron foundry.

Medallion Alexander III. Kasli iron foundry.

Gold ring with tanzanite and diamonds.

Gold ring with tanzanite and diamonds.

Pair of bronze wall sconces.

Pair of bronze wall sconces.

Wooden frame in Louis XV style.

Wooden frame in Louis XV style.

Fruit vase. Carl Thieme.

Fruit vase. Carl Thieme.

A mosaic chessboard of natural stone

A mosaic chessboard of natural stone